Creative Focus: An Interview With Japneet Keith
In this intimate Q&A, she shares her journey from glass to clay, her approach to balancing heritage with modern expression, and why teaching others to work with their hands is a gift she never takes for granted.
1. Your journey into ceramics began with industrial design in India and has taken you around the world. What drew you to clay as your medium, and how has your relationship with it evolved over time?
During my post-graduation in Industrial Design, I was introduced to a range of materials, and glass was my first love. I began my journey by working on large-scale architectural projects—furniture and installations made using slumped glass. However, with the rise of cheaper imports in India, sustaining a practice in glass became increasingly difficult. That was a pivotal moment when I turned to clay.
Clay felt more accessible, responsive, and intuitive. What began as a shift out of necessity gradually transformed into a deep, enduring connection. Over time, I’ve come to appreciate clay’s humble nature and its ability to capture the immediacy of the maker’s touch. It has taught me patience, presence, and the beauty of impermanence.
2. You’re known for blending tradition with innovation in your work. How do you strike that balance—and how does nature influence the textures and forms you create?
I often find myself standing between two worlds—deeply rooted in traditional forms and processes, yet constantly drawn to contemporary expression. The balance happens through sensitivity and intent. I look to the wisdom of traditional techniques—not to replicate, but to respond with respect and reinterpretation. It’s less about mixing old and new, and more about listening to both.
Nature is an undeniable muse. The textures I create often mirror the earth, water, and wind—organic marks, quiet surfaces, slow rhythms. Whether it's the grain of a weathered rock or the curve of a shell, I find forms that are honest and familiar, and I work to translate that honesty into clay.
3. At Happs, we celebrate creativity that brings people together. What do you love most about teaching pottery, and what do you hope your students take away from your workshops?
Teaching pottery is one of the most fulfilling aspects of my practice. I love witnessing that moment when a student finds flow—when the wheel turns, the clay responds, and something clicks. It’s not just about making pots; it’s about slowing down, letting go of perfection, and discovering a rhythm between hands, material, and breath.
I hope my students walk away with more than just a finished piece. I hope they take with them a sense of joy, calm, and connection—to themselves, to others, and to the earth beneath their hands.